meteordust: (Default)
Season 1 thoughts
Season 2 thoughts

The murder mysteries are still good! I'm not here to talk about the murder mysteries though. I want to talk about the growing ensemble cast that I really love.


Beth (Tatum Warren-Ngata)

Madison has gone to Paris, with twelve hours time difference, and wants Alexa to stop ringing her for advice in the middle of the night. So she gets her friend Beth to show up at Alexa's door instead.

Beth is a navy intelligence cryptologist, which sounds cool as hell. However, she is a navy intelligence cryptologist in the same way that Madison is a police data analyst - ie they are "hackers", who do the generic hacking you see on TV. Which is mostly Alexa asking them, "Can you get into the suspect's email account/phone records/security cameras?" And half the time, it's social engineering, where one person distracts the suspect with conversation, while the other person steals their phone or logs into their laptop.

Beth herself is earnest and quirky, in contrast to Madison who is brash and snarky. I love having Beth on board, but I was worried that this meant Madison was going to be written out of the show. I was relieved when Madison came back from Paris, and I realised that this was just a way to introduce Beth and persuade Alexa to accept her help.

My favourite exchange:

Harry: "Madison speaks very highly of you."
Beth: "Aww! I love her. We met on Stardew Valley."
Harry: "I can't say I've heard of it."
Alexa: "Wait. You met on a game?"
Beth: "Uh-huh."
Alexa: "Have you ever met her in real life?"
Beth: "Not yet! But Madison is iconic."



Will (Martin Henderson) )

Olive (Nell Fisher) )

Hinewai (Bella Rakete) )
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This manga by Kousuke Oono is described as a "cosy yazuka comedy", and yeah, that sums it up pretty well.

Tatsu used to be the feared Immortal Dragon. Now he's retired, married, and settled into the domestic life of being a househusband. His wife Miku is a designer with a full-time career, and Tatsu takes responsibility for the daily chores of cleaning, cooking, grocery shopping, etc - with all the intensity and ferocity of his old job.

The comedy is in the juxtaposition of his language, demeanour, and high stakes attitude, with ordinary life in an ordinary neighbourhood. There's also a kind of pleasure in seeing household tasks being treated with deep seriousness.

And it's not just Tatsu. This is a world where other ex-yakuza are just as likely to be embedded in normal life, whether working the register at the supermarket, or playing volleyball at the community centre - and all being weirdly intense about it. A world where Tatsu mentors young gangster Masa in laundry ("Sorry, I was eating curry udon and it got everywhere..." "Look, when you botch the job, you gotta clean up after yourself right away."). Or where Tatsu has a crepe battle with former rival, Tora the Steelfist Tiger (where Tora gets zero Instagram likes for his creation, and Tatsu gets one - from his wife).

It's bizarre but fascinating, often oddly charming, and sometimes even heartwarming.
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I just noticed the other day that my AO3 account has 50 exchange assignments.

It's not an exact count, because there were exchanges I did before AO3 was a thing. And there must be people who have done lots more. But it still feels like a significant number to see on my dashboard!

It's weird to think back to the changes that have happened over that time. Not having to email your story to the mods to upload! The creative use of tag fields, to match not just on fandom and character, but also media type, relationships, worldbuilding, and freeforms! The whole concept of DNWs!

Lessons I have learned for a happier exchange experience:

1. Curate your own experience - If you're stressed, offer what you're most comfortable with and request what you're most excited about. Or if you're bored, offer what's a challenge and request what's a surprise. Change up things that aren't working for you anymore. Sometimes this means cutting back on exchanges or taking a break from them entirely.

2. Focus on what you can control - You can't control how many comments you get, but you can control how many comments you give. You can't control when someone picks up your pinch hit, but you can control how many treats you write. It's painful to be fixating on something that depends on someone else. Anytime you're desperately refreshing the screen for an update, is probably a sign you should go take action on something, anything else.

3. Figure out your limitations and your strengths - I know I'm a slow writer, so I'm never going to sign up for anything that requires speed or volume. I love certain canons where I'm just not confident about the voice, or where I'm realistically not going to have time for review.

4. There's always next time - There are going to be ups and downs. It helps to be philosophical about it and take the long view, instead of pinning all your hopes on this exchange being perfect.
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The story I wrote for EdosianOrchids901 was:

Title: Burning Dreams
Fandom: Good Omens - Neil Gaiman & Terry Pratchett
Relationships: Aziraphale/Crowley
Characters: Crowley, Aziraphale
Tags: No Archive Warnings Apply, Lingering Trauma From Friend/Lover's Presumed Death Even After They Turned Out Alive, Crowley Has Nightmares, Hurt/Comfort, Post-Canon
Rating: General Audiences
Summary: Crowley keeps having the same nightmare.

Thank you again to Kartaylir for your wonderful Foreigner story, Interface. Loved seeing these two lost souls find a way to connect with each other.
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sisi_rambles has made a podfic of my MCU story "Conversations in a Snowy Wood". I'm pretty stoked!

[Podfic] Conversations in a Snowy Wood (13 words) by sisi_rambles
Chapters: 1/1
Fandom: Captain America (Movies)
Rating: General Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Characters: James "Bucky" Barnes, The Winter Soldier
Additional Tags: Captain America: The Winter Soldier Spoilers, Time Travel, Alternate Universe - Canon Divergence, Podfic, Podfic Length: 0-10 Minutes
Summary: The Winter Soldier finds Bucky Barnes on the mountain.
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Works are revealed for the Hurt/Comfort Exchange! And I got a lovely story for the Foreigner series by CJ Cherryh.

Title: Interface
Fandom: Foreigner Series - CJ Cherryh
Relationships: Bren Cameron/Jase Graham
Characters: Bren Cameron, Jase Graham
Tags: No Archive Warnings Apply, Hurt/Comfort, Culture Shock
Rating: Teen
Summary: The aftermath of a fight results in the mending of bruises.

I loved seeing this shared moment between Bren and Jase, and them dealing with the divisions between them, and finding a way across the cultural interface. Thank you so much, dear writer!

214 works in 122 fandoms!
meteordust: (Default)
After watching the excellent miniseries, I decided to read the classic novel it was based on, since it can be fascinating to see how the adaptation process went.

I read the 2016 Penguin edition, which has the dreaded movie photo cover, but also a new afterword by John le Carré. It was really interesting to hear about his experiences with prior adaptations of his books, but also his thoughts about this one in particular.

Spoilers for the end of the miniseries.

Excerpt )

So it's not just me with the slash goggles, then.
meteordust: (Default)
My review of Season 1.

So, you know how I was wondering, why they moved the setting of the show from Melbourne to Auckland, from Season 2 onwards?

I had a look at the production year on the back of the DVD. 2021. Oh. Oh.

Except that, actually, it turns out my assumptions were completely wrong! The move wasn't because of the pandemic. According to the producer: "It was Lucy's idea really. The Australian show wasn't planned to return, and she was living back in Auckland, so the idea of a Kiwi spinoff was born."

Anyway. The show looks to have made the transition very smoothly. The story reason is that Alexa has moved back to New Zealand to spend as much time as she can with her brother Will (played by Martin Henderson). This means that we farewell two old characters and meet two new ones: the police contact who gives her cases (now DI Harry Henare, played by Rawiri Jobe), and the cafe owner who buys her bread (now Reuben Wulf, played by Joe Naufahu).

They even recast the cat! (Though we learn, through a guest appearance via Zoom, that DI Kieran Hussey has adopted the old cat, who his kids love.)

But I am extremely delighted that Madison made it across the Tasman Sea. The story reason for her move is that Alexa messages her for tech help on a case, and instead of sending an email, Madison shows up on her doorstep with all her luggage. Even though I started watching the show because of Lucy Lawless, her rapport with Ebony Vagulans has become a real drawcard. Sometimes there's more snark than banter, with Alexa's cranky and sarcastic side coming to the fore. But most of the time, they make a great team.

This season, we get more backstory for both Alexa and Madison, the murder mysteries are pretty solid, and there are lots of loving shots of Auckland landmarks and scenery. (One of the highlights was an episode at the beautiful Auckland War Memorial Museum.) Notable guest stars include William Shatner (appearing via Zoom) and Renee O'Connor (a lovely reunion for Xena fans).

The DVD cover has a New York Times quote calling it "a sunny procedural", and that describes the vibe pretty well. (Despite all the murders.)
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Maomao is the daughter of an apothecary. She was kidnapped by bandits and sold as a servant to the royal palace, where she is currently working off her indenture. However, her knowledge of poisons and medicines leads her to figure out why the imperial heirs keep dying. Soon she is asked to use her expertise to investigate whenever strange events occur, and she finds herself becoming deeper enmeshed in palace intrigue.

This manga is part mystery-of-the-week, and part about the lives of the concubines and other inhabitants of the inner court. I enjoy the puzzle-solving aspect of it, even though in the ruthless corridors of power, the puzzles are sometimes dark and tragic. But Maomao is smart, determined, and obsessed with being able to use her apothecary skills. And there is kindness and friendship to be found.

As the story unfolds, we learn more about the secret history of the palace, and the secrets in Maomao's own backstory, and unexpected connections beween them. It definitely has me hooked.

I should mention Jinshi, the head eunuch, who takes a great deal of interest in Maomao, and gives her many of her assignments. He's handsome, flirty, and enjoys pulling her strings. I think I would have been completely charmed by him when I was younger, but now I just find him kind of annoying. Still, I am resigned to him being the endgame love interest, and probably not actually a eunuch.

The Apothecary Diaries was originally a web novel, and has since become a novel, a light novel series, two manga series, and now also an anime. The manga I've been reading is the Square Enix one: story by Natsu Hyuuga, art by Nekokurage, compiled by Itsuki Nanao, and character design by Touco Shino.
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My review of the earlier volumes.

So this is a manga about a man and his cat, and how they saved each other from loneliness.

But it turns out, it's also a manga about the healing power of cats.

I mean, also the healing power of love and friendship. But mostly cats.

Mr Kanda is the man. A widower who adopts a cat, like his late wife always dreamed of someday. We've seen how the cat, Fukumaru, has transformed his life. We've gotten his painful backstory: how he was an acclaimed concert pianist, who toured too long and got back too late, and how he can't make himself get back on stage after that loss.

And now! More people start coming into his life, admirers and rivals alike, who knew him back then or know him by reputation. All of them stunned at how full of joy he is now, and won over by his kindness and compassion. We get the dramatic backstory reveal of the hidden wounds they carry, and then the catharsis of them opening up about their emotional trauma, and starting on the path of healing their hurts.

Oh yeah, and they start falling in love with cats too. Yes, more cats come into the story, some with their own emotional scars of neglect or abandonment, and these serious professional musicians have their hearts melted by them, and decide they need to give these cats a home. It's slightly ridiculous, but deeply heartfelt, and utterly compelling.

I love that Mr Kanda is changing the lives of the people around him, mending rifts in relationships, rediscovering his love of music and helping others rediscover theirs. I love that he now has a circle of unlikely friends, with the feeling of found family, and many lovely moments of people connecting.

If you want adorable cat antics, and repressed adults crying their hearts out while hugging cats, this is the series for you.



Is this a cat manga or a music manga? It can be both!

At first, I was conflicted about it. I thought maybe I should emphasise the "cat manga" aspect more. I wondered if it shouldn't just be about Fukumaru and the man's heartwarming days together.

When you create characters though, they acquire histories. When I saw their burdens, I wanted to lighten their loads as much as I could. Apparently, I can't draw purely heartwarming stories.

Go for it, protagonist! You can do it! I just know you'll overcome this! While you're at it, go on and carry everybody!

- Author's Notes, Volume 6
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Lucy Lawless investigates murder mysteries! That was enough of a drawcard to hook me into checking out this TV series.

She plays a retired cop turned baker, Alexa Crowe, who somehow still gets dragged into solving crimes. Her friend DI Kieran Hussey (played by Bernard Curry) tempts her with case files that have stumped the police (which is probably some kind of breach of confidentiality, but whatever). Alexa is assisted by police data analyst Madison Feliciano (played by Ebony Vagulans), who does all the research and hacking (which feels like the modern equivalent of magic).

I love a good murder mystery. I watched seven seasons of Elementary and that set a high bar. My Life is Murder doesn't hit those heights for me, but after a slightly wobbly first episode, it settles into being solid and amiable. The mysteries are varied and novel - some of my favourite episodes were Alexa going undercover at a culinary school, looking into a true crime podcast, and revisiting her former high school and reuniting with an old friend (who may be a suspect).

But really, I was mostly watching for the characters. Alexa is a great protagonist - a very determined steamroller with an innocent Columbo smile, who just wants to perfect her sourdough loaf but also can't stand people getting away with murder.

I love the banter between Alexa and Madison, who is young and brash and snarky. (Madison also wins at most fashionably dressed, on a show where everyone has a fabulous wardrobe.)

Another fun thing is that the show is set in Melbourne. It really works hard to convey the city as a character, with lots of beauty shots of iconic landmarks and local street scenes.

Which makes me very curious how the show manages the transition to Auckland in Season 2 and beyond. It's an Australian-New Zealand co-production, but to shift the setting to a new country seems like a major change.

Season 4 is currently airing.

Hikago Day

May. 5th, 2024 11:18 pm
meteordust: (hikaru)
SHINDOU:

Two years ago I was a beginner and the gap between us was huge.
But now when I play you at your study group, I don't feel like I falter.
That's how I felt, anyway...

But I wasn't able to surpass you in an official match.
There's still something I lack.

MORISHITA-SENSEI:

Yes, there is. You can't see...
... the true ferocity of a go professional until you face him in real competition.

Compared to others, I'm like a cute little kid. The top ranked pros are truly demonic.
It's a major undertaking to try to face them at your age.

But that fan of yours...
... you didn't start carrying it just for fun, right?
It represents some kind of resolve on your part, doesn't it.

Just keep fighting. That's all you can do.

- Chapter 161 of Hikaru no Go
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A new Australian musical! (Not to be confused with Zombies: The Musical, which is a totally unrelated franchise.)

I will go see anything that Laura Murphy has written, after her amazing work on The Lovers and The Dismissal. Along with Yve Blake (Fangirls) and Vidya Makan (The Lucky Country), this makes it an exciting time for women writing musicals in Australia, and telling the stories they want to tell.

Zombie! The Musical, premiering at the Hayes Theatre, definitely feels like a story with something to say. Set in Sydney on the eve of the millennium, a community theatre company is preparing for opening night. And then a strange infection starts to spread, turning people into zombies...

The three main characters are women - described as "an ambitous starlet, an optimistic understudy, and an ol' hoofer (who thought she'd seen it all)" - who have to face this unexpected crisis in their different ways.


Things I love

* The banging songs.

* The '90s nostalgia. (Nokia phones! Y2K! The modem sound!)

* The in-jokes about musicals. ("If Andrew Lloyd Webber can do it...")

* The punny jokes. ("We have to find Hope!" "What if she's been infected?" "Then we have to abandon Hope!")

* The Australian jokes. ("If only we had guns to kill the zombies!" "Damn you, John Howard!" /s)

* The commentary about roles for women in musicals.

* The power of musical theatre (and friendship!) to save the world.


Things I don't love

That there is no cast recording!

It's tough being a fan of a brand new musical. You can't listen to the songs again. You can't look up the lyrics. You can't tell people, "Check this out!" because there's nowhere to point them to.

However! The Hayes Theatre is fundraising for a cast recording, so fingers crossed that it happens!


Spoilery highlights )


Anyway, here are two of the songs on YouTube:


Meaty Part
(Stefanie Jones as Felicity and Natalie Abbott as Sam)

But it's the same old story
It's the same old song
And they all taught me where I don't belong
But I'll prove them wrong





Put Up A Fight
(Nancy Denis as Trace)

Pushed past the point of no return
She gave them what they all deserve
But without the gift of telekinesis
I would have to use my fists


meteordust: (Default)
So I recently saw A Midsummer Night's Dream by Bell Shakespeare at the Sydney Opera House. It was advertised as abridged (which is typical of most Shakespeare I see these days) and family-friendly (which was kind of a relief after the harrowing experience of Twelfth Night). That makes sense, as the first Shakespeare play that many students study, and it will likely be popular with school groups. (On the other hand, Bell Shakespeare's other production this year is King Lear, and oh boy, that had so many warnings.)

It was interesting to see the original play, after having watched the musical version, The Lovers (also by Bell Shakespeare). It was so much fun! Basically, in this productions, the stars of the show were the mechanicals (who were cut entirely from The Lovers).

The opening scenes were swapped around, so we start with the mechanicals rehearsing their play, and then go to the lovers in the court of the duke. And the climax of the show was the mechanicals performing the play, and it brought the house down. The physical comedy was masterful. (Pyramus trying to draw his sword and finding it missing! The agonising pause while someone slides the prop across the stage to him! The discovery that the blade is too long for him to stab himself in the heart with! The world's most awkward death scene!) Really, everything about the mechanicals was comedy gold.

The rest of the characters and storylines were still compelling. There was a cast of eight, who switched roles between the three groups: the mechanicals, the lovers, and the fairies. It was seamless and elegant.

Puck was surprisingly sombre as a character. Almost flat. They had a few moments of humour, but mostly played the straight man. Serious rather than playful. It was an interesting choice. I guess the production needed the fairies to be less chaotic, to emphasise the hilarity of the mechanicals. (The fairies were even dressed in plain black robes, in contrast to the colourful costumes of the mechanicals and the lovers.)

Anyway, it's always fascinating to see different interpretations, and it was cool to see a production give so much love to the mechanicals.
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I'm a few days late to the party. But damn. What an episode.

My spoilery reactions )

Other spoilery reactions )

And another comment about the show generally:

"I'm still baffled, how the fuck did they nail it this hard. They somehow made the show we remember, not the actual one we saw."
- AllHailtheBeard1

And we're only halfway through.
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Still on the hunt for something to fill the Agatha Christie shaped hole in my heart. Just a few brief notes on two recent reads.

Killed by Clutter )

Death by Bubble Tea )
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By Benjamin Stevenson.

I've been rereading a lot of Agatha Christie lately, and really craving more stories in the same vein. Classic murder mysteries with locked room puzzles and fair play solutions, and beautifully done sleight-of-hand.

So when I came across a new book called Everyone On This Train Is A Suspect, my attention was riveted. Not just a title that's a clear homage, but it's also set at a mystery writers' festival! That takes place on a train. And not just any train, but the Ghan! (Yay for mysteries set in modern day Australia!)

And of course, someone is killed, and the mystery writers decide to become amateur detectives, because they believe they're experts on how to solve a murder. But on the other hand, as the tagline says, "How can you find a killer when all the suspects know how to get away with murder?"

This is actually the second book in the series, so I wanted to start with the first one, in case of spoilers. (Which was the right move. While the author doesn't spoil the actual solution, obviously there are other spoilers due to which characters have survived to show up in the second book.)

Everyone In My Family Has Killed Someone )

Everyone On This Train Is A Suspect )

I listened to the audiobooks for both of these. (Yay also for hearing Australian accents in audiobooks!) Very well done, would recommend them.
meteordust: (Default)
The musical! I went down to Melbourne to see it, at the Princess Theatre, because they're advertising it as exclusive to there, and even though they might change their plans (looking at you, & Juliet), if I wait for it and they don't come here, then I'll be annoyed to have missed it.

I really liked Matilda, so I was keen to see another musical where Tim Minchin wrote the songs. And Groundhog Day is such a cultural icon, and time loops are so fascinating, that I was curious about what a stage version would look like.

Really amazing, is what. It was funny, and it was emotional. Phil starts out so cynical and selfish, it's hard to see how to like him. But he goes through the wringer and has an incredible character arc.

Plot spoilers )

Highlights )

Miscellaneous )
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Will be coming to Fallen London. Permanently this time, after that fleeting taste at Estival.

Announcing Firmament
meteordust: (Default)
Dear Hurt/Comfort Writer,

Thank you so much for offering to write a story for me! I love all these fandoms, and the tropes I've nominated, and I'm really keen to see what you do in them! I've also provided some extra prompts in case you're looking for inspiration, but I'd also love to see whatever other ideas capture your imagination.

For me, it's about the characters and their interactions. I'm not a stickler about researching canon details, as long as the spirit of the characters and the flavour of their world is there. I want to see adventures that might have been, or missing moments from between scenes, or a slice of their daily lives, or where the future might take them.

HURT/COMFORT PREFERENCES: I'm not into graphic descriptions of physical injuries. I'm more interested in the emotional state of the character, coping with the aftermath, the reveal of the hurt, and the eventual comfort.

LIKES: Some of the things I enjoy in stories are: undying loyalty, personal bravery, risking self to protect others, displaying cool competence, big damn hero moments, special everyday moments, banter, hijinks, confessions exposing emotional vulnerability, conversations loaded with unspoken meaning, tough people showing a soft side, and soft people showing a tough side. Some of my favourite tropes and genres are: amnesia, angst with a happy ending, animal transformation, arranged marriage, bodyswap, cosmic horror, curtainfic, five things fic, getting together, hurt/comfort, mutual requited pining, mystery solving, road trips, sex pollen, slice of life, stranded together, and time travel.

DISLIKES: I generally prefer optimistic stories in exchanges, so I'm not keen on anything that is brutally violent or hopelessly bleak. However, I don't mind darkness during the story, as long as there is a glimmer of light at the end. Endings that are bittersweet or ambiguous are also fine.

DO NOT WANT: underage, bleak endings, crossovers, setting change AUs like high school, coffee shop, or omegaverse (but canon divergence AUs are fine).

RATING: I've requested some gen and some ships in this exchange. For the latter, I'm fine with explicit sex, but it's usually not the most important part of the story for me.

STYLE: I'm fine with first, second, or third person. I'm fine with past or present tense. I'm fine with stories of any length, including stories that start in media res or consist of a scene that implies a larger plot.

INTERACTIVE FICTION: I like interactive fiction and would welcome it.

AO3: I have gifts enabled and am open to treats.

I've listed more details under each individual request.

I hope this helps. Have fun writing!

Yours sincerely,

[personal profile] meteordust
(AO3 name Serenade)

***

Request 1: Chronicles of Morgaine - CJ Cherryh - fanfic )

Request 2: Foreigner Series - CJ Cherryh - fanfic )

Request 3: Seafort Saga - David Feintuch - fanfic )

May 2025

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